I work with language and movement, separately and in combination. I write across poetry, prose, and non-fiction, and make performances on and off the page.
My practice is driven by an interest in questioning and refiguring processes of sense and meaning-making through language and embodiment. Works often negotiate between realms of abstraction and representation, sound and sense, and narrative and symbolism or fantasy. My poetry, prose and non-fiction have been published widely in UK and Australian publications, some of which are included below. In 2020 I completed a MA Creative Practice (Transdisciplinary) at Trinity Laban, London researching translations between writing, voice, and movement. There, I was Leverhulme Arts Scholar and awarded the Highest Achievement Prize. In 2021 I was awarded Gold Prize at the Creative Future Writers’ Awards and recipient of the Ultimo Prize, both for prose.
Currently: working on a project investigating gendered performances of labour and defiance.
Prose in Ultimo Prize anthology, 2021.
Gold Prize for prose in 2021 Creative Future Writers' Awards, 2021.
Three poems forthcoming in LUMIN Journal, 2021.
Mouth Piece forthcoming in Overland Journal, 2021.
This is where you hear the echo in Cordite Poetry Review, 2020.
Three poems in Datableed, 2020.
Ghost within the ghost in Gutter Magazine, 2020.
Body double in Rabbit Poetry Journal, 2019.
Sunflower in Ibis House (Subbed In), 2019.
21 October 2020, Studio Theatre, Trinity Laban.
14 June 2021, Slant Events 'Spontaneous Combustion', IKLEKTIK.
Review: Angela French, Return to the River. Running Dog, 2019.
Review: 4A Centre for Contemporary Asian Art, Club 4A. Running Dog, 2019.
Review: Dancenorth & Beijing Dance Theatre, One Infinity. Running Dog, 2019.
Review: Marrugeku, Burrbgaja Yalirra (Dancing Forwards). Australian Book Review, 2019.
Review: Daniel Kok & Miho Shimizu, xhe. Peril Magazine, 2018.
Articles written as a reporter for Sydney Morning Herald, 2015-17.
An Honours thesis on East Asian diasporic feminist science fiction and alternative future imaginaries. University of Sydney, 2017.
Last updated October 2021